Judy Knaiz: Gussie Grainger/Ernestina Simple in the film version of Hello, Dolly!

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Judy Knaiz as Gussie Grainger/Ernestina Simple

In the early 1960s,Judy Knaiz's career began as  a musical comedy  featured entertainer at the PittsburghPlayhouse . She studied there for two years before beingasked to be on the staff there as well.
That led to a local television show anda friend’s brother, who was an agent at William Morris saw her. He ended up becoming her agent and by the time shewent to pursue a career in New York, she already had an agent!
She got several gigs in New York including working atThe Upstairs at the Downstairs. She did a few industrials and ran up and downBroadway in her rehearsal clothes hoping to get roles. She got cast in Damesat Sea as Joan off-Broadway and was in that show when it closed.   

Louis Armstrong and Barbra Streisand belt out the title song

In the early 1960’s as the rest of the world was aware ofthis powerhouse musical, Hello, Dolly,so was Judy Knaiz. She also had a history with Gene Kelly who would go on to direct the film.
Two years prior, he hadcast her as Sandra Dee’s roommate in a movie that never got made. He told her at the timethat she was a dead ringer for Carol Haney who was one of his favorite people.
He had heard Judy sing when she auditioned to be Gene Kelly's partner for a television specialhe was doing.  Later, while auditioning for Dolly at (no kidding) Carnegie Hall, he saweveryone William Morris sent for the audition and  remembering Judy  said, “What about JudyKnaiz?” They called her and she rushed right over.  She was asked to screen test in Hollywood.

Michael Crawford and Barbra Streisand Dancin'

Herfirst screen test was as Minnie Fay and it was exciting to be on a movie set. That first day, she met associate Producer Roger Edens. He waswalking past his office which was a replica of something out of An American in Paris. When she told himhow much she loved Singin’ in the Rain,he told her he was also one of the producers of that film. She could have ended itright there she was so thrilled. The producers had other plans for Judy as far as casting wasconcerned. She was brought back in and refitted in costumes to convince themthat she could play Gussie Grainger. After doing the screen test, Judy’s motherpassed away on January sixth.
She came home from the funeral and the phonerang. It was her agent. She was so distressed that she hung up the phone. Herfather said to her, “Look how quickly your mother is working on your behalf.” Shecalled her agent back and was told she had the part.
Getting cast in Hello,Dolly, the film, was the dream of Judy’s life. To work with GeneKelly, who was Judy’s inspiration for going into the business in the first place was elationpersonified.  His Singinin the Rain inspired Judy Knaiz's career as a musical performer.

Jo Anne Worley had alsoscreen tested for Gussie. Judy feels she was too pretty for the part.

Harmonia Gardens set

Her first day of shooting was her entrance into HarmoniaGardens and that was in April 1968. There were fresh flowers on every table. They smelled divine.
The whole episode was just wonderful fun. Themovie, in her opinion, is not as wonderful as they had all hoped. The hope wasthat it would take off like the show did. It didn’t capture the same kind ofpassion and energy on film as the stage show but it is charming in its own way.
The screenplay was written by Ernest Lehman. Being on the set, Judy feels that Michael Crawford’s in person performance wastwice as dynamic as it was on film. The day she started filming, her dresser slipped her a notefrom one of the extras asking if she was a theater actress.
She immediatelytoned down her performance. She was projecting too hard. In the stage version, Ernestina Money ( the name was changed toGussie Grainger/Ernestina Simple for the film) and is a “burlesque” character. In the movie, thatinterpretation would not really play very well. The part called for a little bitmore reality. Judy was given a lot of freedom to develop the character as sheliked.  The only direction that Kellygave her was “Margaret Dumont”, that type of character from the Marx Brothersfilms.
She tried to bring that aspect to the character. He instilled in her thesense of “work.” When Judy relayed to Kelly about her mother’s death, he saidhe had experienced something similarly. Costume designer Irene Scharaf made an incredible costumefor Gussie/Judy. It had ruffles and real jet beads. Judy had a few fittings.The first fitting, Scharaf was in a suede skirt and crepe blouse. Without tryingto copy her, Judy went out and bought a tan suede skirt and a pale blue crepeblouse with those poet sleeves.
Imitation is the most sincere form of flattery.   
Because of the direction that the film went with Kelly’sdirection, Judy doesn’t know if the film would have fared any better witheither Carol Channing or a Betty Grable type at the helm. What she doesremember was her and Tommy Tune dreaming up a dream cast. Judy became friends with withTommy Tune and they secretly recast the movie with Judy Garland and GeorgeBurns in the leads.
  Judy would get to play Dolly herself years later in a production in Clairmont, NewJersey. She says it is a very tough part. There is a built in magic. Openingnight was wonderful and then it sort of deflated for Judy. It was hard work. Judy feels Lady Gaga would make a great Dolly from today’scrop of entertainers.
Judy had another "connection" to Dolly. She also had worked with Jerry Dodge, Barnaby Tucker in theoriginal Broadway production prior to working on the film. She and Jerry played a couple of servants in an OffBroadway show called Shoemaker’s Holiday.  The musical wasbased on a play from the Middle Ages. Later that year, she went to see Jerryplay Puck in A Midsummer’s Night Dreamin Stratford. 
Jerry invited her to spendthe night where they were staying. It was Gish Gables, Lillian and Dorothy Gish’shouse! She loved him.

Jerry Herman

She also loved the movie’s Barnaby Tucker, Danny Lockin whogot several cast members from the film connected with a traveling Chinesetailor!  
One day a studio driver knockedat Judy's door.  She'd rented a house inNichols Canyon from Terry Sullivan who played Arthur Tate on Search for Tomorrow.  And that day she was scrubbing her kitchenfloor on her hands and knees (this was 1968) and her knees were dirty.  She looked down at them.  "Come as you are", he said.  and she was kidnapped.Tune, Danny Lockin, Joyce Ames...they all made appointmentswith this traveling Chinese tailor and were measured for suits of theirchoosing. 
Judy's was a midi skirted woolsuit in coral.  Tommy was into Etoncollars at the time. Judy also thought Danny was just delightful in the movie.

Barbra Streisand with son Jason

Barbra and Judy hit it off right away. Everyone inHollywood is pretty and Judy, in her own words, “was a regular neighborhoodface.” Barbra’s first handshake was very genuine.
Judy, however, didn’t get to reallyknow Barbra off set. Work on the set was work. Judy felt as if she was a bit player in the film and did notmaintain a relationship with Streisand. She also regrettably never met Jerry Herman.
Judy would be in Hollywood April through August 1968. In fact,she was left all alone in Los Angeles when the entire company went to Garrison,New York in June of 1968 to shoot location scenes. The town of Garrison,New York, was the filming site for scenes in "Yonkers". In theopening credits, the passenger train is traveling along the Hudson River.Provided by the Strasburg Rail Road, the train is pulled by PennsylvaniaRailroad's #1223 (now located in the Railroad Museum of Pennsylvania)retrofitted to resemble a New York Central and Hudson River locomotive. Therailroad car used in Put on Your Sunday Clothes was restoredspecifically for the film and is still running on the Strasburg Rail Road inStrasburg, Pennsylvania.
While the company was filming in Garrison, Robert Kennedy was assassinated and shefelt even more alone. She had no one to cry or hold hands with. That was theonly bad part. She brought her father to Los Angeles for the month of Julywhich was when the parade sequence was shot. When he arrived on the set, therewas a huge billboard prominent that misspelled ketchup-catsup. Her dad had workedfor Heinz for 44 years and knew for certain that Heinz initiated the spelling “ketchup.”
Thenext time they went on the 14^th Street Parade set, the billboard hadbeen corrected! Did he feel big! Hollywood is something!

Gene Kelly in An American in Paris

Judy was disappointed that Gussie is a non-singingrole. Her entire career was musical comedy and she got the part of a lifetimeand it was a straight comedic part in a Gene Kelly film! That was a majorheartbreak for her.
 Most of Judy’s scenes were with Walter Matthau. He made herlaugh just watching him walk down the street. He was very humorous on screen.The same could not be said off screen.  Work,however, was work. They had one month to shoot all of the Harmonia Gardenssections. They had to keep moving and be professional about it. All of theirscenes at the Harmonia Gardens were filmed in one day. 

The skinny on the rowbetween the stars Barbra and Walter was blown up for publicity purposes butWalter was unhappy amidst all the neophytes in the film. It is true that theywere not friends. One day the producers and studio filled Streisand’s trailerwith flowers.
Matthau had said something insulting to her and she was miffed.Judy never saw or felt that tension on the set. Judy went to the premier of the film in Pittsburgh at theWarner Theater for a Catholic charity. She had been invited to a premier in Acapulcobut was unable to attend. The Pittsburgh premier was her "Cinderella" moment. Shearrived in a beautiful ball gown by limousine. At one time, she was anusherette in that movie theater. After the film, Judy's career continued and she was cast in No, No Nanette on Broadway. She understudied Helen Gallagher. Afterthat she went into a Dietz and Schwartz revue called That’s Entertainment. Things started rolling in her direction. ProducerCyma Rubin let Judy out of her contract to go to ACT in San Francisco, therepertory company.  
She did the first National Tour of George M starring JoelGrey playing George’s first wife, Ethel Levy.

Milton Berle

She also did a summer stock tour of Two By Two starring Milton Berle and she got to sing for RichardRodgers which was a great honor.   The one thing that Judy learned from her involvement in Hello, Dolly that she carried forward inher career since then was to be prepared, to rehearse. She also learned to nottake things for granted. For example, at the time of Dolly, Judy was having some new headshotsdone. Tommy Tune told her that she must plan everything ahead of time, how shewanted to be shot and what she was going to wear, etc...Like everything else inlife, one must rehearse.

Danny Lockin, Michael Crawford, Barbra Streisand

The storyof Hello, Dolly is still moving,uplifting, and charming. It takes everyone back to a more genuine time andbrings everyone to a more genuine place in themselves.  Beyond Streisand, Judy only saw Martha Raye in the role andthought she was wonderful.Judy has left the acting profession. She is now a writer.She is, as of this writing, working on a musical, a screenplay. She is takingclasses at Point Park University, a wonderful school. When she hits the jackpot, she’ll be back in New York…thistime producing!  Hello, Dolly forJudy Knaiz was her reason to live. It was the peak of her career. It was thebest thing she feels she accomplished. If that had not happened, the arc of therest of her career would have been uncertain. It saved her. Thank you Judy Knaiz for the gifts you have given to the world and continue to give!


With grateful XOXOXs ,



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                My next blog will be...My exclusive interview with actor Garrett Lewis on the Mary Marin Production of Hello, Dolly!

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