Patricia Morison!

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Baptista: Wonder of wonders, a gentleman in Verona desires you in marriage.
Lilli Vanessi: Then he best go back there. Kiss Me, Kate
Happy Saturday!
I am very excited about today’s blog. I was not one of thosekids that grew up with original cast albums in our home.  Being a kid from South Carolina, my parents preferred country music. 

Patricia and Alfred Drake, Kiss Me Kate

However, my parents would take me to thelibrary every Saturday and I was allowed to check out as many cast recordingsas I desired. The librarians knew me and didn’t put a limit on me. Judy Garland at Carnegie Hall, Hello, Dolly, Gypsy, Funny Girl, AND Kiss Me, Kate were my favorites. I also read every book I could get my hands about the theater. I had and still do have a great appreciation for all of the greats that have gone before me. Lastweek, I had the incredible honor of interviewing one of the legends, Kate herself, PatriciaMorison! (Thank you, Harlan Boll, for arranging this!) Patricia Morison is a stage and motion picture actress and mezzo-soprano singer.She made her feature film debut in 1939 after several years on the stage. During her time as a screen actress she was lauded for her patrician beauty, with her large eyes and extremely long, dark hair among her most notable physical attributes. During this period of her career, she was often cast as the femme fatale or "other woman." It was only when she returned to the Broadway stage that she achieved her greatest success as the lead in the original production of Cole Porter's Kiss Me, Kate.How I envy all of my Los Angeles friends, even the ones Idon’t know yet!  The Actors Fund'sMusical Monday series will continue Dec. 10 at 7:30 PM with an evening entitledLadies of an Indeterminate Age at the Pantages Theatre in Los Angeles.The performance will boast the talents of veteran actressesAnne Jeffreys, Jane Kean, Pat Marshall, Patricia Morison and Charlotte Rae.John Bowab directs with musical direction by Tom Griep.The women will sing songs from their careers, talk about theirco-stars, directors and composers and stray into their wicked (ornot-so-wicked) adventures in the great tradition of 'No Business Like ShowBusiness.
Ms. Morison and I sat down for a wonderful chat last weekand this blog is the result of that chat. Today, I celebrate Patricia Morison’sbody of Worth.
I began by asking Ms. Morison what advice she would give tosomeone wanting to go into this business. She says it’s very easy to dispenseadvice but none of it has to do with the realities of this profession. It’s upto each person to find their own way and to find themselves.
The person who made the greatest impact on Ms. Morison’scareer was Cole Porter. She was not known as a singer, she was known as anactress. She HAD been studying voice for a long time. He asked her to come upand “audition” for him. It wasn’t for a particular project; it was just to gether used to singing for people. That’s when he handed her the script of Kiss Me, Kate.
He then opened a whole newworld for her. She had gone out to be in the movies from New York. She had donean operetta in 1938 (in New York).  Theshow was called The Two Bouquets andher leading man was also Alfred Drake! In 1943, Ms. Morison did a film calledThe Silver Skates.  Martha Mears dubbedher singing for Morison. Years later, Martha Mears was being interviewed andannounced that she had dubbed for Patricia Morrison. Friends were callingPatricia and saying, “You were not dubbed! You were never dubbed!!” She said, “Yes,I was!” They gave her a song in the picture which she learned and then she wentto shoot it. The budget would not allow for her to record the song! She showsup on the voice and hears this voice imitating her! Ms. Morison said Ms. Mearsdid a fine job but it didn’t sound a bit like her.

Bill Johnson as Frederick Graham and Patricia Morison as Lilli Vanessi in Cole Porter's Kiss me, Kate at the London Coliseum, photo Houston Rogers.London, England, 1951.

She tells me that she has had absolutely no difficultymaintaining the long lasting relationships in her career. They are much moredifficult to acquire. She was fortunate enough to know the Oliviers (thatincludes Vivien Leigh) when Ms. Morison was doing Kiss Me Kate, John Gielgud, and so many others.She is also a fan of some many of today’s actors and entertainers.

KISS ME KATE by Porter, Spewack and Spewack ;..left to right:..Danny Green, Sydney James, Austin Trevor ;..Bill Johnson and Patricia Morison ;..West End premiere ;..at the Coliseum Theatre, London, UK ;..1951 ;..Credit : Mander and Mitchenson / University of Bristol

If she had not been an actress, Ms. Morison would still bein the arts. She is a painter. When she was sixteen, she went to WashingtonIrving High School in New York.  She wona scholarship that would have taken her to Paris to study art at the Beaux- Arts. She told her mother she didn’t desire togo to Paris. When her mother asked her why not, she told her she wanted to bean actress. Her mother responded by saying, “Well, we better find the bestdrama school for you.” She then embarked on a career as an actress.As a young child, her parents took her to Charlot’s Revue of 1924.Bea Lillie wasin that show.  She did a numberdressed like Britannia with the British flag draped around her. It was so funnythat Patricia could not stop laughing. That is her earliest memory of theater.She was nine years old. Her first professional job was in a play called Growing Pains about teenagers. She wasso bad in rehearsals that they fired her. She cried so hard that they gave hera walk on. Her favorite rolls are a tossup between Kate and Anna in The King and I. Because she createdKate, that has a very special place but she did love playing Mrs. Anna.
She attributes her longevity to luck and heredity.  She hasn’t had anything done. She doescontemplate having a tuck done here and there from time to time as she looks inthe mirror. Then she wisely decides to leave everything alone. Her mother alsolived a long time. What drove her ahead was the fact that she fell in love withthe acting profession as a young girl in New York. Her only need was goodpeople to work with. She didn’t have any talismans or things like that. She has never been in despair in her career. She has beendisappointed and frustrated a few times.  Life goes on. When she was young in New York, during the Depression, sheused to walk all the way from where she lived on Central Park West to downtown.In those days, for twenty-five cents, she could stand in the back of thetheater. She saw Noel Coward and Gertrude Lawrence in Tonight at 8:30, she saw the Lunts, all the great actors. They allinspired her. Patricia Morison would like to be remembered as a niceperson and she is.    SeePatricia Morison LIVE Monday Night in the lobby of the Pantages Theater inHollywood! The evening will begin at 7:30 PM with cocktails and hors d'oeuvresfollowed by the 8:30 PM performance. A dessert reception with the performerswill conclude the night.Martin Wiviott and John Bowab produce.
Pantages Theatre is located at 6233 Hollywood Blvd. Fortickets, priced $125, email mthomas@actorsfund.org (include name, address,phone, number of tickets and price level) or call (323) 933-9266, ext. 458.
For more information visit actorsfund.org.  
The following was sent to me:     Re Patricia Morrison. . . just wanted to sharea detail.
My Dad was once married to Anne Jeffreys' sister (AnneJeffreys was known for "Topper", "Street Scene", Dick Tracyfilms, lots of westerns, etc.)  (AnneJeffreys and her family used to live in our house in North Carolina!)  Jeffreys was later "discovered" byKurt Weill.  The lead in "Kiss MeKate" on Broadway was originally offered to Anne Jeffreys, but she hadother commitments at the time.  So sherecommended to the producing team that they audition her pal, Patricia Morison. Just thought I'd share that. Jeremy Lytle

Thank you Patricia Morisonn for the gifts you have given to the world and continue to give!


With grateful XOXOXs ,


Check out my site celebrating my forthcoming book on Hello, Dolly!
I want this to be a definitive account of Hello, Dolly!  If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!


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Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!    
                My next blog will be...My exclusive interview with actor Clifton Davis on the Pearl Bailey/Cab Calloway Production of Hello, Dolly!

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TILL TOMORROW...HERE'S TO AN ARTS FILLED DAYRichard Skipper, Richard@RichardSkipper.com                              
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