Linn Maxwell has performed on the stages of majororchestras, opera companies and recital halls across the United States and 25foreign countries. She now brings her worldwide experience and classicaltraining to the musical theater and cabaret stages. Linn has performed cabaretand one-woman shows in New York City and in March 2006 made her Europeancabaret debut at the International Theater, Frankfurt, Germany. The FrankfurterRundschau said of her show, "Linn Maxwell captured the hope within thesongs and revived a bygone era. . . Her performance was marked with a glowingperfection."We sat down last month to discuss those things that make upLinn Maxwell. When I saw that she had a birthday looming, I decided to hold offand do this blog as a celebration for her birthday. 
This is my gift. Today, Icelebrate Linn Maxwell’s body of WORTH!Linn was probably five or six years old the first time sheappeared before an audience. It was around her birthday. She had to learn asong that she was going to sing the next day in church. Her father taught it toher and her mother played it on the piano. The next day, she got up and sangit. That’s what she thought people did. There was no fear. As a young girl, Linn learned how to sing and went on tomajor in voice in college. She got a Master’s degree in voice. She went to collegebecause she desired to develop her technique. 
She felt that she wasn’t ready togo out into the world. After getting her Master’s, she moved to New York City.She continued to study. She didn’t feel that anything was happening for her inNYC, so she went to Germany. This was in the 1970s. Regional opera in thiscountry was not what it is now. Now a days, everybody has an opera company. There are now more opportunities to get cast. Then, those pursuing an operaticcareer went to Germany. Linn is glad she went. She loved it. She got a job in aGerman Opera House. She learned how to be an opera singer. She desired to doconcerts and embarked on a concert career. She came back to the states, thistime with management, and performed concerts with orchestras throughout thestates and Canada. She also has entertained in Mexico and throughout Europe andhad great fun. The one person who has had the greatest impact on Linn’slife and career is a British mezzo soprano named Janet Baker.  |
| Dame Janet Baker |
Every year they give an award to an outstanding person andone year Dame Janet Baker was given the World of Song Award. She was verygracious when they wrote to her to tell her they were bestowing this upon her.Lotte Lehman was a very famous singer in her own right. She was Viennese. Atthe time of the awards, Dame Janet Baker was eighty-five and still living inLondon. The award was sent to her.Linn is easily entertained. She doesn’t watch television. Shefinds that it drains her mental capacities. She listens to the radio a lot. The perfect day for Linn would be a funny day. She wouldwake up either in her New York City apartment on West 74th Street orshe would wake up on her farm in Michigan. That day would begin with the besttasting cup of coffee and have something compelling to do that day. Linn considers her best quality her ability to communicatewith people. Her health regime consists of her being a vegetarian, nodairy, no while wheat or gluten, and since June 26th of this year,no sugar.
That was a huge sacrifice but she desires to feel well. Feeling wellas an entertainer is of utmost importance. They have to be ready to perform atan optimum level at show time. She needs the most energy she can muster at herfinger tips. That is how she does it.  |
| The Hildegard Singers: (left to right) Barbara McCargar, Diane Penning, Linn Maxwell and Lisa Walhout. |
I asked Linn if she was a morning person or a night owl.
Shesaid that all depends on what I consider morning!
I said before noon. By that definition, sheis a morning person.
Linn is also married and says that it is a balancing act. Shedesires her husband to feel that he is more important than her career. He ismore important than her career. Sometimes, on the days she entertains, thatentertainer part of her has to take over. The one change that Linn would like to see in theentertainment industry is for singers to really get an education in voice. As alifelong singer, she knows how much a voice can be capable of. She would like singersto explore all the colors of their voice and to listen to how they sing and towork with somebody who can bring out the best in them. Otherwise, we all go to someone’s cabaret showand it is all one color.
It might be twenty different song, but they are allthe same color.Linn would like to see singers to explore. Linn loves to go tocabaret shows.
She believes cabaret is a way for singers to really find out whothey are and to learn skills.
Linn would not be the successful entertainer sheis today if she had not done as much cabaret as she did.
She also admits shehasn’t done nearly as much as a lot of other people. The art form of cabaretteaches you things like how not to be afraid of audiences, how to reach out andtouch them. You don’t learn that in classical music. Linn’s total focus these days is her play, HILDEGARD OF BINGEN AND THE LIVING LIGHT.
In this one-woman show,Linn embodies the extraordinary life of 12th century German prophetess, healer, and composer, Hildegard of Bingen. Way ahead of her time and in a male-dominated world, Hildegard challenged the established authority of the Church, both philosophically and musically. Accompanying herself on authentic medieval instruments including psaltery, organistrum and harp, Linn performs seven of Hildegard's original songs, and through the mystic's actual letters and writings transports us to the turbulent times of the Crusades in Western Europe. Hildegard's timeless universal message of spiritual truth, holistic healing and caring for the earth is more urgent today than ever.
At the time of ourinterview last month, Linn had just performed it three times, once in Cincinnatijust prior to our interview and twice in Toronto in two different venues.
Audiences are so touched by this show. It is not Linn on stage. She makesherself available. Whatever it is comes through her and audiences are touchedby it. Each time she does it is a new experience. Of course the lines and songsare the same. Each performance, however, there is different energy coming backat her. She desires to do this for as many audiences that will have her. The one thing that Linn would do before she dies is to goback to Europe. She would like to spend quality time in Western Europe again. Linn was compelled to her career path. There was no otherchoice. She could not have lived with herself had she not done what she feelsshe was brought here to do. Linn would like to be remembered as someone who sang allover the world and was most fulfilled by her singing and also the Hildergardplay she wrote, the fact that she is able to bring this 900 year old person tolife and let people know who she was.
A Few Testimonials
"As a performer in Grand Rapids, MI, I'd always heard of Linn as one of the preeminent opera singers, so I was thrilled when she contacted me after she attended the Cabaret Conference @ Yale, and I had attended the Perry Mansfield Art of Cabaret program. We compared notes, ideas, passions and became fast cabaret friends. I had the honor of being Linn's "test" audience for her LILLI MARLENE show in G.R., and then the pleasure of actually seeing it on stage in NY at the Abbington Theatre. She is a consummate professional, passionate about her work and a true creative soul. I value her talent."
-Francesca Amari Sajtar
Lynn and I met a thousand years ago at a Cabaret Camp with Perry-Mansfield. We were the two "LEGIT" singers and both a bit older than most of the class! We were paired together as roommates and had a fabulous time and learned a lot from each other! Just recently she was in Cincinnati to do her one woman show of HILDEGARD of BINGENand renewed our friendship and I must say her show is genius! SO much work went into it. It's not a CABARET as we learned in Colorado, but she is a great presenter, singer and actor. I'm so glad we hooked up again while she was in town! Thanks for asking!
-Patricia M Linhart
To book Linn Maxwell, CLICK HERE
Thank you Linn Maxwell for the gifts you have given to the world and will continue to give!
With grateful XOXOXs ,
Check out my site celebrating my forthcoming book on Hello, Dolly!
I want this to be a definitive account of Hello, Dolly! If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
Do you have any pics?
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
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Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
My next blog will be... My interview with cabaret entertainer, Frank Dain!
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Richard Skipper, Richard@RichardSkipper.com
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
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