Ellen Travolta on Hello, Dolly!

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Dolly Levi was back in Coeur d’Alene in the summer of 2012 after a ten year absence,and it was brought back by Ellen Travolta who brought her there in the first place. 
Ellen Travolta is the eldest sibling of John Travolta and isprobably best known for her portrayal of Louisa Arcola Delvecchio, the motherof Chachi Arcola (Scott Baio) in the 1950s-based sitcom Happy Days, andunsuccessful spinoff, Joanie Loves Chachi. She also played the mother of Baio'scharacter on Charles in Charge from 1987 to 1990. But for our purposes, we arefocusing on two productions of Hello, Dolly in which she starred as Dolly Levi!Around 1989, Ellen Travolta and her husband were both stilldoing television but were thinking about retiring from the business and werelooking for a summer home. They heard about Coeur d’Alene Idaho through DanielBaldwin. He had guested on Charles inCharles. After Daniel had given Coeur d’Alene a big build up, Ellen wenthome and told Jack they had to check it out. 

Coeur D'Alene

She had a hiatus coming up thefollowing week. They flew up and fell in love with the area. There is abeautiful park on the lake and they were strolling through. They get stopped bytwo people who recognize them from television. They wanted to know why Ellenand Jack were in Coeur d’Alene. Ellen told them they were looking for a home.They then asked Ellen and Jack if they wanted to be in a play! Ellen asked whatplay. They didn’t know they were going to move there yet. She was still doing Charles in Charge. They were then toldthat the new season of the Coeur d’ Alene Summer Theater was going to beopening  the next season with Company. Ellen and Jack thought about itand opened that summer’s season in 1990. They didn’t actually move there till’94. Until then, they would go up in the summer and do shows. Company was thevery first show at this theater and Ellen and Jack have been a major part of thebuilding of this summer theater from the beginning at this location. Artisticdirector Roger Welch came on board in 1994.He was in his early twenties. Ellenand Jack are very proud of this theater.  It is Broadway in their own backyard. Actors are brought infrom New York. The caliber is high. It is an amazing theater.           Ellen and her husband semi retired to Coeur d’Alene Idaho.Ellen got involved with the Coeur d’Alene summer theater. Artistic director,Roger Welch, approached her and asked her how she felt about doing Hello, Dolly! 

Courtesy: Roger Welch

An interesting choicebecause Ellen IS Dolly in her soul. She looked at Roger and asked, “Why wouldyou want me as Dolly?” She didn’t get why he was asking her at all. She agreedto look into it and ended up doing it. She loved doing it. She had an absolutewonderful time playing opposite her husband. This was in 2000. Time went on andthey were all sitting around talking one night. They were discussing upcomingshow possibilities. Ellen, by this point had done many shows with this theaterincluding Gypsy. She told Roger thatthere was only one show that she would like to do again and that was Hello, Dolly! She felt that she could doit better.She feels that Jerry Herman’s music is just incredible. Whenan actress gets the opportunity to play in a show like Dolly where the musicand lyrics are so fine and tells the story so well, it’s a real treat.  She did bring her age and wisdom to both productions. Onegets wiser with time. She also brought more insight to Dolly. Her Dolly wasvery real/ When she first appeared in Hello, Dolly in 2000, sheapproached Dolly first of all by reading TheMatchmaker. 

Courtesy: Roger Welch

Then she read the script of Hello, Dolly! She looked at whatthe other characters said about her and what she said about herself. Fromthere, she started to build a character. That is how she approaches most roles.She started working rather early on it. When theater is done as quickly as itis done at this theater, a two week rehearsal period, it pays for the artistsinvolved to go in knowing their roles. They need to know their lines and theirmusic. Ellen doesn’t read music. She is “old school.” She learns by listeningto it.
She most recently did it in the summer of 2012. She didn’texactly approach it differently, she understood it differently. Before the Parade Passes By is much morepoignant when the actress is seventy two than it was when she was sixty. Thereis not sadness, but rather, a connection with the realities. No matter howwonderful life is, it does pass you by. It goes very quickly and it isimportant to do the things one desires to do before it is too late. Because Ellen had played Dolly before, it was in the back ofher head. It is stored somewhere in the brain. There were many déjà vuemoments. The thing to remember always, especially after a show is running awhile, is to listen. 

Courtesy: Roger Welch

Even after doing it a while, sometimes something will be said,and you are truly HEARING it for the first time. “Oh my God, THAT’S what thatmeans or that IS what that reaction should be.” This time around, Ellen wasconstantly very present. Some performers can walk through a performance afterthey’ve done it more than a few times. Ellen was totally there one hundredpercent of the time and LISTENING to all the other players. The mostfundamental thing for all actors is to listen and some don’t do that.  An interesting note is that Ellen was on the road with EthelMerman in Gypsy when she was originally offered Dolly!As has previously been reported, Merman turned it down. Ellen was a kid in the show at thetime along with Alice Playten who would go on to play Ermengarde in theoriginal Broadway company of Dolly. 
Ellen never saw any of the Broadway Dollys. Her only frameof reference before getting involved with Dolly was the film starring BarbraStreisand who was so YOUNG when she did it. It didn’t compute to Ellen. She hadseen a production of The Matchmakeron stage. She loves the music. She certainly had heard Carol Channing sing it.Roger took Ellen to Seattle to see a production of Dolly with the idea ofconvincing her that she SHOULD do Dolly. It wasn’t a “name” performer. It was asmall summer theater production.  Itwasn’t a well known theater and the production values weren’t that great butthe music was great and the title song stopped the show. It always does.Ellen’s take on why that is is the boys! When Ellen ended up doing the show,during this number, she would always turn to face the boys upstage. Roger kepttelling her that she couldn’t turn her back on the audience. In this instance,she felt that it was justified. She felt that they needed to be looked at, thatthe audience should be watching the “boys”. Beforethe Parade Passes By and So Long,Dearie are Dolly’s numbers. Hello,Dolly belongs to the boys.   As soon as Ellen started reading Hello, Dolly and working on the music, she fell in love with it. 

Before The Parade Passes By (Courtesy: Roger Welch)

Courtesy: Roger Welch

She thought, “Wow! What a wonderful entertaining caring woman Dolly is and whatfun she is.” What courage Dolly has! And she is so manipulative. Ellen’sgranddaughter picked up watching Ellen play her Dolly’s habit of “putting herhand in.”   Her granddaughter now says,“Grandma, I’ve discovered something else you can put your hand into!” She askedher mom if “Grandma” will be putting her hand in with God, too, when she dies! Shesaid to Jack, “Grandpa, I can’t help noticing Grandma makes all the plans. Isthat OK with you?” Jack told her that was sweet of her to ask. He is not a barnburner. It is fine that Ellen makes the plans. Prior to this interview, a groupof friends were going to New York to see Roger Welch’s partner, Mark Cotter,who was appearing at The Metropolitan Room. Like Dolly, Ellen felt a strongurge to put her hand and take care of all of the details… for everybody! 

Courtesy: Roger Welch

Shedesired to tell everybody what to do and how to do it. That is something deepin her DNA. Perhaps it comes from being the oldest of six children. She has anover developed sense of responsibility. 
When there is a challenge, she desiresto fix it. It all goes with the Dolly territory. Even if something isperipheral, she somehow feels an urgency to somehow straighten it all out. Ellen has a distinction that none of the most famous Dollyshave. 

Ellen Travolta and Jack Bannon

Her leading man also happens to be her husband. Jack Bannon is a sweetman and a tender actor. He is a brilliant Horace Vandergelder, just phenomenal.His curmugedy side always touchedher. Because she knows Jack so well, she treated that side of his character asa cover up. This theater is an eleven hundred seat theater. It is a big summertheater audience and they are familiar with Ellen and Jack over the years andthere is a real attachment to them. It meant a lot to everyone to see them doit together just as they did in 2000. There were many performances in whichEllen cried as they danced at the end of the show. It was just there. That washer favorite moment each night. She would look into his sweet face and that wasit. Ellen also had great supporting players. Irene Molloy wasplayed by Krista Kubicek.  

Jeremy Adams

Jeremy Adams playedBarnaby. Andrew Ware Lewis was Cornelius. Callie McKinney Cabe played MinnieFay. It was an incredible cast and in addition to Ellen and Jack, Krista andCallie had also done it before in the 2000 production. It was restaged by thesame choreographer brought in from Seattle, Mike Wasileski. Set Design byMichael McGiveney and and costume design by Jessica Ray. Roger Welch directed.Roger is a wonderful director and a beautiful man. He has been with thistheater for twenty-five years. Without a doubt, Ellen would place Hello, Dolly in the TOPFIVE shows of her career. Steven Dahlke, who wasthe music director for this production. He said to Ellen that Dolly is a perfect show, the script, themusic, the way it evolves. There is nothing wasted. It is a perfectly balancedshow with great music.

Andrew Ware Lewis

During the course of rehearsals and the show, the eating scene in the Harmonia Gardens drove them crazy trying to figure out what they used ten years prior. No one could remember! Theyexperimented with marshmallows, cotton candy, bread, and they couldn’t rememberwhat they used the first time EVEN after watching a video of the 2000production! She also tried researching what Channing had used and couldn’t.Every night, they used something different. She wishes that she had done waymore research on this before beginning. For the record, on Broadway, thedumplings were tissue paper molded over light bulbs to give the look ofdumplings. 
The compliments continue to flow from these productions of Dolly. People still stop her on thestreet. There is also a sense of melancholia at this point in Ellen’s life forthe people who have passed on and life passing by. Ellen recently didn’t knowmany of the actors on the Emmy Awards. They are not her friends. 

Courtesy: Roger Welch

At one time,all of her friends were at the Emmys. It was at that time that she was part ofthat business. It may sound plebeian and trite, but the one thing that Ellen hastaken from Dolly is to try and make it all count, the days, really live them.Really go for it. Ellen is in really good health and has a lot of energy. Somany of her friends are not doing well. These are constant reminders.  All of these aspects are how Dolly hasaffected Ellen. It has also affected audiences worldwide for fifty years.Today’s audiences are more mature, age wise. That younger audience has to befound. The theater has changed. 

The original in a long line of Dollys

Shows like Gypsy,Hello, Dolly, and the Music Man are not coming along anymore. A lot of the audiences for this type of entertainment have died off. It’sa tough job now with marketing and finding the right shows. In the case ofDolly, that age bracket of fifty five and over were deeply affected by Ellen’sportrayal. At the time of this writing, her seventy third birthday wasapproaching. “If she can do it,she will!” She has been told that her performancehas made some women look at their husband differently. The romantic aspects ofthe show AND the energy aspects truly affected the audiences who saw it.One night as she was coming down the stairs in the titlenumber, she looked down and the shoelaces of her high boots were untied andthey were dangling. As she was descending the stairs, she was thinking that shehad that whole number ahead of her. Fortunately, she saw it. So did the playerson both sides of her! The audience wasn’t aware of this potential catastrophe. She does the number…very carefully. After the number, during the eating scene,she is directed to go upstage to where the other four players are also dining.She asked one of the actors to tie her boots while Jack was speaking. 

Courtesy: Roger Welch

Barnaby/Jeremy tied her shoes. After the show that night, everyone told her howfrightened they were for her. They were so afraid that she was going to step onthose laces and tumble down the stairs. That is one time when one’sconcentration is all over the place. All of a sudden she is thinking, “Where amI and what am I doing?” Closing night was a family affair. Ellen’s brother, John,and his family came up for her and Jack. Ellen’s sister and daughter were alsoin this production. All of the Travolta family are in the business. Theirsister Margaret played Mrs. Rose. The cross over between Dolly and Mrs. Rose isone of Ellen’s favorite moments in the show. It was equally poignant becausethey are sisters. She also played the judge in the docket scene in the secondact, also terrific. Ellen’s daughter Molly Allen played Ernestina Money! Theyhad to pad her. She is a big radio personality in Spokane. She has a number onesix to ten AM drive program, Dave, Ken andMolly in the Morning. 

Courtesy: Roger Welch

After the show, they all went out and had a latesupper a la Dolly style. They all stayed at the Davenport Hotel in SpokaneWashington. They drove across the state line because there was a big triathlonhappening the next day in Coeur d’Alene. They knew that they had to stay. Theywouldn’t be able to get back the next day anyway. It literally shuts down thecity. John has seen Ellen in every show except the 2000 Dolly. He finally got to see her do in 2012 and just loved it. Johnis a fan of Dolly. When he was a young actor in New York, he used to “secondact” Dolly all the time. He would mill around with the crowd duringintermission and sneak in with them as they returned after intermission. Ellen doesn’t know if she would like to play Dolly again. Shewill reserve saying yes or no until that time when she is asked. At this point,she is not thinking about doing it again. Hello, Dolly to Ellen Travolta means she CAN DO IT!    

Courtesy: Roger Welch

     
Thank you Ellen Travolta for the gifts you have given to the world and will continue to give!

With grateful XOXOXs ,


Check out my site celebrating my forthcoming book on Hello, Dolly!

I desire this to be a definitive account of Hello, Dolly!  
If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!




If you have anything to add or share, please contact me at Richard@RichardSkipper.com.


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Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!    
               
My next blog will be... My Exclusive interview with Lorna Dallas (Danny LaRue's Hello, Dolly!)
Thank you, to all the mentioned in this blog!

  Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!


TILL TOMORROW...HERE'S TO AN ARTS FILLED DAY
Richard Skipper, Richard@RichardSkipper.com                            
 This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!