Multi-Award winning singer and recording artist JulieReyburn brings her acclaimed show, WinterSongs to Urban Stages Friday Dec. 7th at 7PM.Joining herwill be Mark Janas as Musical Director with special guest, Joshua Dixon.Winter Songs is a show Mark Janas and Julie created along with Lennie Watts for Feinstein's last winter. The focus was to take the audience on an emotional journey of what winter is all about: family, celebration, tradition, and then the new year. At the time Julie was 6 months pregnant with her son, Jude so the show took on even deeper meaning for her.
A major portion of this journey was showcasing new songs by New York based composers/songwriters.
A few of the songs were actually written for the show. Julie gave each writer an idea and it went from there.
The result was so special and really exciting. It was very special to perform the show with the writers in the audience.
Explore the beautyand joy of the season with classics old and new from Maury Yeston and Comdenand Green, to new compositions by New York based composers and lyricists;Napolitano and Ward, Bill Zeffiro, Mary Liz McNamara, Brett Kristofferson andScott Evan Davis.Julie and I sat down recently to dig a little deeper andcelebrate her body of WORTH! Today, I celebrate Julie Reyburn!
When it comes to a personal creed or motto in her life,Julie Reyburn has so many but the one that rises above all others is, “Webelieve what we tell ourselves.” It is something she tells herself every day asshe tries to live in a positive way telling her that she is important. She isworthy of great things. She is lovable. The time is NOW. She says we all canuse all of those affirmations in our daily lives in how we choose to live ourlives. She believes we definitely tell ourselves. As a parent, another quotethat she loves to live by is that she is basically an observer in her children’slives. Her job is to guide them but not live their lives for them. She lives that credo role in her duel role asa an artist and a human being and as a mother. 
It continues. It all started for Julie because of herparents. Her parents were a folk rock duo in the early ‘70s. They were calledBrandywyne. Instead of leaving her home with her Aunt Georgie to take care ofher ,they had Julie miss kindergarten and they took her on the road with themfor the better part of the year when she was six. It was an amazing experience.They would take her on stage with them or they would leave her with thebabysitter while they went to do their gigs. The bottom line was she got to bewith them and tour around the country. It was always in Julie’s mind to be anentertainer. Watching her parents do it, it was just a natural progression. The turning point in Julie’s life that made her to decide toforge ahead took place in 1995. She was on a tour of A Christmas Carol with American Family Theater. It was a great groupof people and she is still friends with all of them today. They were all tryingto get their Equity Eligibility. Back then once one got enough hours and/orsalary, they could get their Equity cards. That would allow them all to go to “professional”auditions in New York. Julie was still living in Massachusetts at the time.
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Oneof the people on the tour knew of a sublet that had just opened in New York.Julie and another girl decided they were going to go for it. Julie quit herjob, broke up with her boyfriend, sold her car, put everything she could intothe back of her dad’s station wagon, and he drove her to New York City. OnMarch 7th, 1996, she found herself in that sublet on West 48thStreet. Ironically, that is directly across the street from her daughter’selementary school. Her dad dropped her off with nothing more than her clothesand her music. The two of them took around midtown, he wished her luck, and hewas on his way and there she was.The most embarrassing thing that ever happened to Julie tookplace back in Massachusetts. She had a quick change. She had to get out of one dress and intoanother. She was to go out, sit on the piano, and sing The Music That Makes Me Dance.
They could not get the zipper up andit was a strapless dress. She had to walk out holding up the dress with herelbows. Someone had to place her on thepiano and she had to sell the song and not show her boobs. It was hilarious andthe piano player was trying not to crack up. She was mortified but it was alesson in focus. The trajectory of Julie’s career began with singing with herparents, then singing in the choir in school, and doing musicals, taking voicelessons, going to college to be a music therapist and a music teacher.Juliedecided not to go to conservatory because she wanted a liberal arts education.She continued to study voice and continued to do musicals and theater aroundthe Boston area. She then had the opportunity to go to New York as statedabove. She went on auditions. As a result, she did tours and regionalproductions. Ellie Ellsworth of the Cabaret Symposium heard Julie sing atBirdland, after she had won an award from the Singers Forum, and invited her toaudition. That is when cabaret came into Julie’s life. She did the O’Neill in1998.
She worked with wonderful teachers and artists. The art form struck herand it was a good fit for the kind of entertainer she is and she turned tocabaret. It took off. It was the perfect niche for her. From that, she didreadings of new musicals and fringe festivals and got higher level auditionsfor Broadway and off-Broadway. While she hasn’t gotten cast for a Broadwayshow, her singing and her cabaret work has given her an opportunity to auditionfor major people which has been very exciting. She has also sung in major roomsin NYC like Feinstein’s.She has recorded some cds and worked with greatmusicians. She keeps going, doing what she loves and makes her feels good. Julie has two young kids at home. There is no such thing asa routine when it comes to working on her craft. She grabs those moments whenshe can. She also has a full time job outside the business. Her family comesfirst. She will lull her son, Jude, to sleep by running lyrics. As she washesdishes and other assorted activities, she multi-tasks while running lyrics inher head. For Julie, it takes away the nervousness of “Oh my God, I have towork on my craft.” It makes it more an everyday occurrence.
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| Sondheim! — with Molly Pope, Julie Reyburn, Timothy Oliver Reid, Stephanie D'Abruzzo and Lucia Spina.(Photo taken by Phil Geoffrey Bond) |
She tries to bring her “real life” into hercraft. It makes it stick better and it also makes it more real. What artists dois shed light through the windows of real life. Her job as an artist is toshare her journey and have the audience identify with the emotions that we allhave as human beings. She walks to work with her IPod on running lyrics andsinging out loud. People walking past her think she’s crazy but she has to takeit when she can get it. She tries to incorporate her life and art at everyopportunity. As a result, she feels she is a more accessible entertainer.
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| With Scott Coulter, Bill Daugherty, Jack Noseworthy, Julie Reyburn, Carole J. Bufford, Noah Racey, Milla Ilieva and Michael Winther at Feinstein's at Loews Regency The Nightclub of New York.(Photo credit Russ Weatherford) |
When it comes to dispensing advice for anyone desiring tofollow in HER footsteps is to first of all know who you are, what’s importantto you, and what your priorities are, and then try to balance all of that. Onlydo those things that mean a lot to you in your heart of hearts.That isbasically what your mission statement is. If you don’t have a missionstatement, you really need to sit down and think about it. Julie’s is to dogood work with good people. She desires to take the talent God has given her tomake people happy and to bring about positive change. In that, she picksprojects that fit within that paradigm and also picks people to work with thatdesire to do that as well.
Remembering that she has a family, all of this HASto be balanced. She admits that it is much easier without kids. One is able totravel more and practice their craft a lot easier in different areas than shecan right now. She chose this. She desired to get married and be a mom. Shedesired to have it all and that was a big goal of hers. She has always been amulti –tasker, that’s her nature. It’s not for everyone! It is definitely something that takes a lot ofwork and a lot of prioritizing. Once again, you really have to know who you areand ask those questions of yourself. Is this something you really want to do?Is it going to be fair to you? Is it going to be fair to your kids? Is it goingto be fair to your partner? Those are the soul searching questions and all ofthese questions are based on that one over arching mission statement that youhave in your life…as an entertainer, as a human being, as an entrepreneur.
Abusiness plan has to also be in effect. JULIE REYBURN LIVE from Julie Reyburn on Vimeo.Julie would love to meet Bonnie Rait. Her father was JohnRait and she has that experience of being the daughter of an entertainer. Sheis a great songwriter. She knows about sticking it out and being who she is.She has ebbs and flows, not to mention all those Grammys! She calls the shots.It’s not another record label, it’s not a bunch of corporate suits, it’s her.
From the musical/theater world, Julie wouldlove to meet Patti LuPone (who happens to be singing in the background as Itype these words!). Julie has seen her and even has her autograph. Julie lovesher autobiography, as do I! She is another strong willed woman who lives by herown mission statement. Julie is most proud of the work she has done with MarkJanus, her musical director.
She likes to call him her musical husband. Overthe years they have worked on arrangements together and done shows that havelived on. They have been able to pull from different shows and arrangementsthat are really close and dear to their hearts.
They still continue to haveideas. My next question is from actress and singer Linda Purl. Whodoes Julie pray to when she is in trouble? She calls “it” spirit.The one change that Julie would like to see in today’sindustry is the importance of individuality. People in this business on bothsides of the footlights are intimidated by individuality. They think it’s notgoing to make money. When someone comes along that IS a real individual andsucceeds, everyone tries to copy that. Artists are bending to try and be likeAdele or Amy Winehouse or someone else rather than embracing who they are.
In terms of marketing and promoting herself, Julie hasembraced social media. It is easy for her. She can do things quickly,especially with her busy schedule. On her lunch hour, she sends out evites andputs information on Facebook. She can post it on her artist page. There is asite called Reverb Nation that she posts on. That keeps track of her shows, howmany people show up, and where they are. She also utilizes Twitter. HectorCoris has created a “web card” for her. She has created a newsletter on Mailchimp.com....SierraRein uses it for Julie's Marquee Five newsletter...She finds it very userfriendly. You can have up to 2,000 on this list.
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| With Scott Coulter, Bill Daugherty, Jack Noseworthy, Julie Reyburn, Carole J. Bufford, Noah Racey, Milla Ilieva, Michael Winther and Scott Siegel at Feinstein's at Loews Regency The Nightclub of New York.(Photo credit Russ Weatherford) |
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| Photo credit: Russ Weatherford |
She announces from thestage where she’ll be appearing. It’s wonderful when people are seeing her forthe first time that she doesn’t know. She tries to get out and do actualappearances here and there.
She gives out cards. These days she can’t get outas much. She really does rely on social media. She sends out press releasesabout a month prior to an appearance.To all my singer friends out there, this is how Julie dealswith throat ailments. She learned this from her allergist. Drain the juice of afresh lemon. Take multi vitamins loaded with “C” and honey down the throat.Julie does that for three days in a row twice a day.
Nine times out of ten, hercold will be gone or it won’t last as long. She concentrates on her breathingand drinks lots of tea. She tries to get as much rest as she can. She findsthat if you focus so much on the fact that you’re sick and not being able tosing, you WON’T be able to sing. Mind over matter: “This is something that isjust moving through me and I can sing over it.” Everything is going to be finenine times out of ten. Julie can still sing through a cold. A lot of it ispsychological.
What inspires Julie?
She loves dance. She loves watchingdance interpret music. She can imagine lyrics in her head. It adds a newdimension at “looking” at music. She also loves rock and roll and folk music.That is what she grew up with. Her husband, Thor, plays guitar in a Led Zeppelin coverband. They inspire her. All of thisteaches her to be freer on stage and not to be so strict with rhythms, tointerpret more, and not to be right all the time.When putting a new show together, Julie always has a runninglist of songs that she wishes to sing. She draws upon that list. She brings newmusic to Mark Janus and they sit down and start going through different ideas.Usually a theme presents itself organically. |
| Julie and ME! |
She rehearses what she is going to say and thenlets it go. The last two shows that Julie have done have been directed byLennie Watts. Her voice teacher is Bill Zeffiro and he also contributes to hershows. He is also a great songwriter and she has been featuring his songs in afew shows. Lennie Watts is able to bring out the best in Julie, who shereally is. He has this ability to key in on what her strengths are. He bringsthat out in how she puts a song across.
If it is not coming across as truthfulor honest, he will let her know. What separates Lennie from other directorsthat she has worked for is that he just wants what is best for the entertainer.He is there as a channel to basically be a set of eyes. A lot of directors arein it for different reasons and have different focuses for their entertainers.Lennie’s focus is all about the entertainer.Preparing for an appearance, Julie, once again, runs thelyrics through her head. She basically reads everything out like a fullmonologue with lyrics and patter.
She tries to do that at least two or threetimes the day of the show.
She tries to get enough sleep which is sometimesdifficult.
She now averages between four and five hours of sleep each night.
She tries to get her head in a space to clear it. If she is nervous, she tries toremind herself to use the nervous energy rather than have it work against her.She tries to remember to have fun. Is there an entertainer that Julie wishes she had seen live?
Yes, a full Rosemary Clooney show, Elvis (especially his Vegas shows), EllaFitzgerald, Janis Joplin, Sinatra’s 60th birthday comeback concert, thereal greats. There is an energy that doesn’t come across on film. As an entertainer, Julie’s fondest memory is performing withher parents. They shaped her for who she is today. Off stage, her fondest memories are marrying her husband, Thor, and giving birth to her twochildren. Those are life changing experiences she would not trade for anything.
He is the reason she can still perform...his support keeps her going.
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| Julie Miller (Producer of the 2011 MAC Awards show), Julie Reyburn and Mark Janas broadwayworld.com |
Wednesday December 5th @ 7pm @ Urban Stages"Songs from a Wedding, A Penthouse and a Pinocchio"
Julie will be performing excerpts from three original musicals
by Peter Napolitano, Barry Levitt, Mark Janas and Matthew Martin Ward:
Featuring Robert Cuccioli!
Tickets for Winter Songs: 212-868-4444 or smarttix.com
Urban Stages - 259 West 30th Street (between 7th & 8th Ave.).
Thursday December 13th @ 7pm @ Urban Stages
ALSO:THE GOOD GIRL, an original musical by Mary Liz McNamara - in a concert version at Urban Stages as part of their wonderful Winter Rhythms series. www.urbanstages.org
CAST:
Raissa Katona Bennett
Leo Ash Evens
Ritt Henn
Mary Liz McNamara
Tanya Moberly
Julie Reyburn
Tracy Sallows
James Stephens
Musical Direction by Beth Falcone
THE GOOD GIRL is about family, love and other really messy problems, in the here and hereafter. A daughter is left to care for her impossibly difficult father, as her newly-dead mother watches from that great jazz club in the sky, under the tutelage of a cool-cat Bass Player.
Tickets $25
www.smarttix.com
212-868-4444
Thank you Julie Reyburn for the gifts you have given to the world and continue to give!
With grateful XOXOXs ,
Check out my site celebrating my forthcoming book on Hello, Dolly!
I want this to be a definitive account of Hello, Dolly! If any of you reading this have appeared in any production of Dolly, I'm interested in speaking with you!
Do you have any pics to share?
If you have anything to add or share, please contact me at Richard@RichardSkipper.com.
NO COPYRIGHT INFRINGEMENT INTENDED. FOR ENTERTAINMENT PURPOSES ONLY!
Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!
My next blog will be...My exclusive interview with Melissa Hart on Hello, Dolly!
Thank you, to all the mentioned in this blog!
Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
TILL TOMORROW...HERE'S TO AN ARTS FILLED DAYRichard Skipper, Richard@RichardSkipper.com
This Blog is dedicated to ALL THE DOLLYS and ANYONE who has EVER had a connection with ANY of them on ANY Level!
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