23 Mayıs 2012 Çarşamba

Media Rants: Inside Looking Out

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Inside Looking Out

Media Rants

by Tony Palmeri

Shortly after moving to Oshkosh in 1989 to teach at the university, a student asked me to grade the local media’s reporting on local politics. I gave them an “F,” and explained that corporate newspaper, radio and television coverage of influential people featured shallow, incomplete and biased coverage favoring establishment interests.

Rather than bitch and whine, I followed a path punk rocker Jello Biafra later referred to as “Don’t hate the media, be the media.” Throughout the 1990s and 2000s I helped produce and host independent television and radio public affairs programs along with a blog and this column.

In 2007 the path took a detour when I was elected to the Oshkosh Common Council. For the first time I’d have the opportunity to evaluate media from an “insider” perspective. In April of this year I lost the election for the office of Oshkosh Mayor and decided not to run for another Council term, so I’m an “outsider” again.

But I want to reflect on those four insider years. Bob McChesney’s great 1999 book Rich Media, Poor Democracy argued that in a Democracy, journalism has three major roles: accounting of people in power, diversity of opinion, and fact checking. From an insider’s perspective, what grade do I give the local mainstream media on each role?

Let’s start with the worst, television. In four years on the Council, the only stories that piqued the interest of TV news producers were those featuring nasty neighborhood conflicts, like controversies over deer culling or building a Muslim mosque. Modern TV “journalists” in smaller markets like the Fox Valley are usually charming and pleasant, but seem incapable of exploring anything in depth and appear to have zero interest in critical issues affecting the health of cities (e.g. budget intricacies, bureaucratic incompetence) that do not produce great visuals for the TV screen. Just awful.TV grades:

Accounting of People in Power: F
Diversity of Opinion: F
Fact Checking: F

Radio’s only marginally better. In many cities a locally originated talk radio call in program becomes a way for public officials to feel the pulse of the people, and also helps keeps them accountable. Charlie Sykes plays that role effectively on the Right in Milwaukee, and John “Sly” Sylvester does it well on the Left in Madison. Oshkosh has no local call in for politics, while syndicated call in programs tend to be nothing more than wingnut bloviation.

Commercial radio these days dedicates limited resources to local reporting. Consequently, listeners get little insight about local government actions. Bob Burnell’s “Morning News Focus” on WOSH occasionally challenges local officials to defend a position, and at least he does provide a discussion forum. But overall, radio’s mostly a non-entity when it comes to playing a meaningful role in building a healthy Democracy. What a waste of air. Radio grades:

Accountability of People in Power: F
Diversity of Opinion: D
Fact Checking: F

In Oshkosh, print media’s dominated by Gannett’s Oshkosh Northwestern. They have very little competition (the UW Oshkosh Advance-Titan, for example, did not cover the race for Oshkosh Mayor even though both candidates were campus professors!). That’s unfortunate because profit-driven print media have minimal motivation to pursue high standards of journalistic and editorial excellence when they are the only game in town.

The Northwestern does a decent job, in reporting and editorially, on open government issues. But other than that they exist essentially as establishment cheerleaders. Almost every thinking adult in Oshkosh senses the pull of a deeply entrenched old boy network in the way the city is managed and in the underperforming patterns of economic development, yet the press is just not willing or able to crack that nut with the rigor or persistence that could win them a Pulitzer Prize.

In my four years on the Council I never refused a request to talk to Northwestern journalists, and often had lengthy conversations with them in which I offered facts and opinions that ran counter to the establishment view of the issue at hand. Most of that would not make it into the paper, of course, due to what one reporter once communicated to me as a problem of “getting my vetters to accept this.” By “vetters,” he meant the old boys protecting the old boys. Surely not unique to Oshkosh, but not any less frustrating because of that. Newspaper grades:

Accountability of People in Power: D
Diversity of Opinion: C
Fact Checking: C

What about alternative media like blogs, public access television, and social media like Facebook and Twitter? At their best, newer media challenge business as usual while providing information and viewpoints the mainstream press can’t or won’t go near. At their worst, they are little more than hyper partisan forums for misinformation and (often anonymous) cheap shots.

There are too many alternatives to grade as a group, but for me the most valuable was and is Main Street Oshkosh (mainstreetoshkosh.com). That site kept me accountable during my elected official insider days NOT by insults or questioning my integrity, but by pushing me to become better informed.

From the inside looking out, mainstream journalism turned out to be as subpar as I thought it was from the outside looking in. Inside or out, I’ll keep doing my best to raise the media bar.

Media Rants: On Heckling vs. Techling

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On Hecklers vs. Techlers
Media Rants

By Tony Palmeri

Controversial public communicators on the Left and Right can always count on the presence of hecklers in the immediate audience. The World English Dictionary says that to heckle is “to interrupt (a public speaker, performer, etc.) by comments, questions, or taunts.”

For some social movements, heckling of political opponents is a prime political strategy. Peace Movement and Tea Party activists share little common ground, yet wreaking havoc at events via often hysterical heckling is a modus operandi of both. Since corporate media doesn’t commonly cover events absent some kind of caustic clash, who can blame activists for acting up?

Some minimize heckling as merely a blatant form of uncivil behavior. I think that’s too simplistic. Sincere hecklers view themselves as blowing the façade off of tightly controlled, propaganda driven events designed to showcase establishment speakers in the most favorable possible light. Almost all Tea Party heckling matches that pattern, as does the recent heckling at a San Francisco fundraiser of Barack Obama by supporters of the President upset with the Administration’s treatment of Private Bradley Manning, the soldier accused of aiding Wikileaks.

Sometimes heckling is quiet and clever. When Scott Walker tried to score public relations points at the annual Governor’s Fishing Opener on Lake Wissota, he was met by boaters carrying signs protesting his assaults on worker rights. News coverage mentioned the actions and message of the protesters, effectively blowing the Governor’s portrayal of himself as an “average guy gone fishin’” out of the water.

Whether one views heckling as a legitimate part of democratic participation or as an obnoxious invasion of peaceful events, its effects pale in comparison to disruptions made possible by digital technology. Modern public communicators need not fear heckling as much as “techling.”

I define techling as the secretive use of digital recording technology to produce “gotcha” moments for partisan political purposes. The “techler” usually hides his true identity from the target, edits recordings to showcase the target in the worst possible light, then feeds the recording(s) to a corporate media all too ready to consume. The end result is the discrediting and sometimes total destruction of an organization or person.

Right wing provocateur James O’Keefe is the crown prince of techling, using deceptive communication practices to undermine the credibility of a variety of left leaning outfits. O’Keefe’s greatest “success” was sparking a media feeding frenzy that led to the dismantling of the Association of Community Organizations for Reform Now (ACORN), an advocacy organization for persons of low and moderate income. O’Keefe and a female friend posed as pimp and prostitute, and secretly videotaped ACORN employees giving advice on how to break tax and other laws. The videos were fed to right wing media and played endlessly, picked up by the mainstream press, and led to the suspension of federal funding for the organization along with the loss of much private funding. Though full investigations in multiple states found no wrongdoing, the organization dissolved in 2010 because, as stated on the group’s website, “vindication doesn’t pay the bills.”

A local example of techling involves the case of UW Oshkosh Criminal Justice Professor Stephen Richards. Last month Dr. Richards was chastised for encouraging students to sign a recall petition against Republican State Senator Randy Hopper. In the secret recording of the class period, Dr. Richards is heard making his views on the Budget Repair Bill crystal clear. Though the recording had been made available to Republican operatives several months earlier, the release came after enough signatures had been collected to move forward with the recall election and after former Oshkosh Deputy Mayor Jessica King announced that she would run for the seat.

Republicans anxious to shift the focus away from Hopper’s rubber stamping of the Governor’s Budget Repair Bill quickly called for Richards’ resignation. Richards will survive the techling, though the fate of provocative teaching is less clear. Back in the day, a teacher’s major concern when preparing a lecture was “will this material provoke my students to think?” In the age of techling, the question becomes, “how will this material sound on the Charlie Sykes show?”

The Richards Affair provides us with a case study in how techling and the techler differ from heckling and the heckler. Let’s summarize the differences:

The heckler wants to disrupt the speaker in real time. The techler studiously avoids disrupting the speaker in the hope that he will say something incriminating.

The heckler wants to call attention to him or herself and/or a message and tries to provoke the speaker to debate. The techler hides in the shadows, refrains from stating views and wants to avoid debate.

The heckler wants to rattle the speaker. The techler wants to destroy the speaker.

The heckler is usually an activist. After the heckling is done, she will usually talk to the press to offer clarification and expanded remarks. The techler is a tool; he funnels audiovisuals to an ideological outfit (e.g. Fox News, Breitbart) and lets the outfit do the talking.

In short, heckling is a consequence of democracy; an urge to challenge the establishment and add more views into the public arena. Techling appears to have more in common with Stalinism; an attempt to destroy political opponents and remove voices from the public arena by any means necessary.

Tony Palmeri (tony@tonypalmeri.com) is a Professor of Communication Studies at UW Oshkosh.
Copyright 2011 Tony Palmeri All rights reserved.

Wonderland Meets SYTYCD! TONIGHT!

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Get your DVRs ready for tonight's SYTYCD on Fox! You may see someone you know - from down the rabbit hole...

Two of our talented Wonderland cast members will be on So You Think You Can Dance TONIGHT!
Ashley Galvan, one of the Fembot dancers and Melinda Sullivan who was a versatile and talented swing. Melinda went on for almost all the roles she covered and did a phenomenal job!
Please cheer them on and support them with your votes!
-Kari G.http://feeds.feedburner.com/blogspot/pxEL

Tony Wrap Up

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Well the spinning disks have been distributed, the jewels have been returned to Harry Winston and the marketing groups are furiously tagging ads with "Winner of ____ Tonys."

What did you think?

Or did you watch the Celtics romp the Lakers?

Or did you watch True Blood?

Be honest.

If you need a Tony wrap up, you can check out the run down from the NYT. Congrats to Red and Memphis for their big wins. Lots of Hollywood stars took home Tonys including Scarlett Johansson, Denzel Washington and Catherine Zeta-Jones.

We posted frequently on www.twitter.com/strazcenter and www.twitter.com/whobroadway so we hope you followed along.

What were your favorite (or least favorite moments)? How did Sean do as host? What shows do you want to see come to the Straz Center? Share your thoughts and let us know what you thought.

- Kari G.http://feeds.feedburner.com/blogspot/pxEL

Arts Council of Hillsborough County Grants Program

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Help us save the Arts Council of Hillsborough County Grants program!

The Arts Council of Hillsborough County’s grant program provides essential annual support to local cultural organizations that add $292 million to the local economy and employ more than 8,000 people.

The Hillsborough County Administration has proposed to eliminate funding for this critical grant program for the coming year.

You can help us save this valuable grant program by participating in this petition. It will be presented to the Hillsborough County Board of County Commissioners in July to urge their continued support for the Arts Council Grants Program.

If you’d like to help, simply click here http://www.ipetitions.com/petition/saveartscouncil2010funding/and add your signature to the petition. In the "comments" box, please type your zip code i.e. Hillsborough 33601.

Also, the site randomly asks for donations to "IPetitions." This is not necessary since it counts your signature if you simply "X" out of the site from the donation window. We need as many signatures as possible from Hillsborough County by JULY 14, 2010.

To learn more about the importance of supporting this petition, please read on…A strong cultural community is a vital economic engine in Hillsborough County.More than 4.2 million residents and visitors attend arts and cultural events year-round in Hillsborough County.

Thousands upon thousands of Hillsborough County school children benefit from arts education programs provided at little or no charge by local arts and cultural organizations.The arts are an important policy asset and prosperity generator for local government. In addition to their inherent value to society, our local cultural organizations are:

  • ECONOMIC DRIVERS: The arts create jobs and produce tax revenue. The arts sector stimulates business activity, attracts tourism revenue, retains a high quality work force and stabilizes property values. The arts have been shown to be a successful and sustainable strategy for revitalizing rural areas, inner cities and populations struggling with poverty.
  • EDUCATIONAL ASSETS: The arts foster young imaginations and facilitate children’s success in school. They provide the critical thinking, communications and innovation skills essential to a productive 21st‐century work force.
  • CIVIC CATALYSTS: The arts create a welcoming sense of place and a desirable quality of life. The arts also support a strong democracy, engaging citizens in civic discourse, dramatizing important issues and encouraging collective problem solving.
  • CULTURAL LEGACIES: The arts preserve unique culture and heritage, passing precious cultural character and traditions along to future generations.
Hard times require public officials to make the most of every asset and to adopt policies that maximize recovery potential. The arts are a proven part of that mix. The arts are a recovery asset that supports jobs, stimulates commerce, stabilizes property values and provides many other economic benefits.

In addition to their many economic advantages, the arts offer timely assistance with educational and civic challenges that tend to escalate during tough times. The arts are also central to community resiliency. Whether facing economic distress, natural disasters or other adversity, the arts are a powerful force for recovery and healing, a benefit that few other industries offer.

We hope you will join us by supporting the arts in Hillsborough County by participating in this petition.http://feeds.feedburner.com/blogspot/pxEL

17 Mayıs 2012 Perşembe

I'LL BE SEEING YOU: THE LIBERACE MUSICAL!

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"I cried all the way to the bank."-Liberace
Happy Friday!I hope this finds you gearing up for an arts filled weekend. 

Tonight, I'm interviewing Peggy Pope at Barnes and Noble in New York to celebrate her hilarious memoir, "Atta Girl". It would mean a lot to have as many of my friends, family, friends, and readers of this blog there as possible. IF this is a huge turn out, this will forge a relationship with B and N that will allow me to do more evenings like this. The details are below. Today is the birthday of Irving Berlin. composer Jerome Kern concluded that "Irving Berlin has no place in American music—he is American music." He wrote the theater's national anthem, There's No Business Like Show Business.
Today, I'm celebrating the man who epitomized that more than any other: Liberace! Pre-production is underway for a new, original Broadway musical about Liberace. A renowned pianist with a flair for the outlandish, Liberace gave his audiences impeccable performances while clad in sequined capes. In a career that spanned four decades of concerts, recordings, motion pictures, television and endorsements, Liberace became world-renowned. During the 1950s–1970s he was the highest-paid entertainer in the world and embraced a lifestyle of flamboyant excess both on and off the stage.
Tom Jones, center, blows out candles at a surprise birthday party at Caesars Palace on June 6, 1974. Guests included Joan Rivers, Sonny Bono, Dionne Warwick, Debbie Reynolds and Liberace.
I am a huge fan and one of my greatest regrets is that I never saw him perform LIVE. However, if Barbara Carole Sickmen has her way, all that's going to change. I met Barbara several years ago at a backer's audition for The Christmas Story, based on the tele-movie of the same name about Ralphie who has to convince his parents, teachers, and Santa that a Red Ryder BB gun really is the perfect gift for the 1940's.
After the "audition" that evening, a group of us ended up at Joe Allen's for a late night supper.  
Barbara was among three Barbara's at our table. HOWEVER, this Barbara made the biggest impact. She had actually seen my tribute to Carol Channing. What struck me the most about Barbara was her passion about this project she was working on, a musical CELEBRATING the life and legacy of Liberace. 
She wants to celebrate not only his HUGE contributions to popular culture, but honor him as the man he was as well. Robin Leach (yes, THAT Robin Leach) said earlier this week, "Listening to the songs, seeing the storyline of the book and knowing Liberace from interviews I had with him over the years, I know that he would be genuinely happy with this new Broadway project." Barbara has said that  Bugsy Siegel played a role in Liberace’s Las Vegas career. This musical is a celebration of the showman, but it’s also about how Las Vegas became the Gaming Capital of the World. Bugsy and Murder, Inc., who are very much a strong subplot, had a vision for Vegas, and Liberace had a vision to become more than a piano player.
Liberace is in the news again. Michael Douglas is also currently in production on a bio-pic called The Man Behind The Candelabra.Next week on the 16th, it would have been Wladziu Valentino Liberace's 93rd birthday. He was born in West Allis, Wisconsin. 
His father was an Italian immigrant who played French horn in orchestras providing background music for silent movies. He required his children to learn music. Lee had difficulty speaking and had speech therapy, concentrating on giving his speech a smoother flow, eliminating the effect of listening to one parent who spoke with an Italian accent and another with a Polish accent.During the Great Depression,  Mom worked in a cookie factory, brother George drove a a grocery truck and gave piano lessons, sister Angelina worked as a secretary and nurse's aide.  He excelled academically at West Milwaukee High School, and was active in extracurricular activities, excluding sports.
His big break came in 1939 with an audition for Dr. Frederick Stock of the Chicago Symphony. He eventually found a spot with the Jay Mills Orchestra, a popular dance group.  "I don't care if he played on a street corner with the Salvation Army Band," said the maestro after hearing him on a local radio broadcast. "He will play with us."   For the next six months, Walter Liberace performed as "Walter Buster Keys." 
He eventually got to Vegas and getting a little advice from the King, Elvis Presley, that would change the way the world would see Liberace, his costumes became more and more extravagant and it became a contractual obligation with the Vegas hotels that demanded that he outdo even himself.
It is hard to believe that Liberace has been gone 25 years. He died on February 4th, 1987.


He made his Las Vegas debut in November 1944. The city would become the entertainer's home -- one of many around the country -- but more important, it would become the place he would develop his spectacular stage persona. 
Liberace's museum was a financial wellspring that funded scholarships for aspiring musicians and artists.The museum has since closed due to a failing economy. 
Asked in a 1985 interview how he wished to be remembered, Liberace replied: "I'd like to think that the most enduring quality about me will be the music, because everything I'm doing ... is to promote the music of future talent.My foundation is based on promoting new talent, and I feel that my longevity will survive through other people in this business because I'm going to provide a lasting support and a foundation for artists. "When an entertainer is as "out there" on stage as Liberace was, most people tend to forget that there is a human being underneath the facade.  I've experienced it performing as Carol Channing. 
with Marilyn Michaels and friend
I discovered over the years that if I told people that I was an entertainer, some people would be impressed, some, maybe not.  However, if I told them that I performed as Carol Channing, instantly, some people formed an entire picture of me based on, most of the time, their OWN ideas of who and what I am all about.
with KT Sullivan

I've had people make comments about me with me standing right next to them as if I could not hear them and/or as if I had absolutely no feelings. 


If it weren’t for Liberace, there would be no Madonna or Lady Gaga, Elton John, Bette Midler or Elvis because it was Liberace who helped the King glitz up his act.
Yesterday, I saw an interview on the Billboard website in which a "reporter" interviewing Liza Minnelli about the release, for the first time on CD, of her live Winter Garden Concert. We all know that she was born into Hollywood royalty, but Liza has made her own name on stage and screen and concert halls around the world.
Rather than focusing on the CD and the concert, the interviewer went the usual route of asking about Liza's "gay icon" status and the Broadway production of End of The Rainbow which deals with the final days of Judy Garland. Why would a reporter ask their subject that deals with the final days of that subject's mother's life? And while we are on the subject, why are audiences going to see this? If Tracie Bennett is as wonderful as critics and Tony voters are saying she is, why not a show that celebrates Judy's life and legacy rather than a show that focuses on the dark side. I won't be seeing this show.
Allen and Chris Bell as the Allen Brothers, 1967.
I loved the Boy From Oz beyond Hugh Jackman's phenomenal performance because it CELEBRATED Peter Allen. 
His songs were made popular by many recording artists, including Elkie Brooks, Melissa Manchester and Olivia Newton-John, with one, "Arthur's  Theme", winning an Academy Award in 1981. He left an incredible legacy and yet in interviews some people only want to acknowledge him as "Liza's gay husband". He, AND Liza, deserve better than that! In addition to recording many albums, he enjoyed a cabaret and concert career, including appearing at Radio City Music Hall(Liberace also had very successful appearances at Radio City Music Hall) riding a camel.Right now, John Travolta is in the news. He has been vilified before a trial has taken place. Why do we build people up in our culture to quickly knock them down? When bloggers, pundits, comedians, etc. say the hurtful comments they make about anyone, they are no different than the kids on the schoolyards who are bullying each other.
That brings me back to Barbara Sickman and the project she is involved with, along with Johnny Rodgers. She lives, breathes, and sleeps Liberace. She is the ONLY one who has the exclusive rights to this through the Liberace estate. Movies and other productions may come along who want to treat his personal life like pulp fiction. Thank God for the Barbara Sickman's of the world who will respect their subjects. He admitted that he hated shabbiness. THAT is why Barbara is the perfect person to bring this project to fruition. Liberace's desire was to Entertain! PERIOD!!No other entertainer in the world ever took the risks that Liberace took. However, it is not a risk for Barbara to bring us this incredible story. The time is ripe for this. "Except for music, there wasn't much beauty in my childhood," he later recalled.

(Robin Leach is a source for parts of this blog)
Robin Leach has been a journalist for more than 50 years and has spent the past decade giving readers the inside scoop on Las Vegas, the world’s premier platinum playground.
Follow Robin Leach on Twitter at Twitter.com/Robin_Leach.
Alison Arngrim  also writes about Liberace in her hysterical memoir, Confessions of a Prairie Bitch.   In 1965, Alison's family moved to Hollywood.  Thor Arngrim, Alison's father worked with Seymour, Heller and Associates and later Arngrim Petersen, and as a manager worked with Liberace, Rene Simard and Debbie Reynolds. He also managed the careers of his children. Stefan starred as Barry Lockridge in Irwin Allen's TV science fiction drama Land of the Giants and opposite Kirk Douglas in The Way WestAlison played the despised Nellie Oleson on Little House on the PrairieToday, Alison continues as an actress and comedian in Los Angeles and around the world. I will be going to see Allison at The Laurie Beechman Theatre in NYC on June 15th! Please join me if you're available!

Thank you Liberace and Barbara Carole Sickmen for the gifts you have given and continue to give to the world!Barbara and her creative team, I am convinced, will be breaking legs all over the world.





Your devoted fan,


NO COPYRIGHT INFRINGEMENT INTENDED.  FOR ENTERTAINMENT PURPOSES ONLY!
May 11
7-9pm
BARNES AND NOBLE UPPER EAST SIDE, 150 East 86th Street
RICHARD SKIPPER CELEBRATES PEGGY POPE!In her new acting memoir, "Atta Girl: Tales from a Life in the Trenches of Show Business", the Obie-winning actress Peggy Pope (http://en.wikipedia.org/wiki/Peggy_Pope) details an eventful life in the theater, film and television spanning over five decades. But unlike most celebrity tell-alls, this thoughtful and deeply personal account brings to light the trials and experiences of the vast majority of actors, those who either flirt with stardom or play supporting roles throughout their careers.Richard Skipper and Peggy Pope are sitting down for an exploration of Peggy's incredible career in show business. Email me at Richard@RichardSkipper.com for more info.

Please do what YOU can to be more aware that words and actions DO HURT...but they can also heal and help!    
                  Tomorrow's blog will be..YOU TELL ME! I'm open to suggestions!!


Thank you, to all the mentioned in this blog!


  Here's to an INCREDIBLE tomorrow for ALL...with NO challenges!
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TILL TOMORROW...HERE'S TO AN ARTS FILLED DAYRichard Skipper, Richard@RichardSkipper.com                            
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